Rabu, 15 Oktober 2014

[Y683.Ebook] Get Free Ebook Worrying: A Literary and Cultural History, by Francis O'Gorman

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Worrying: A Literary and Cultural History, by Francis O'Gorman

Worrying: A Literary and Cultural History suggests a unique approach to the inner life and its ordinary pains. Francis O'Gorman charts the emergence of our contemporary idea of worry in the Victorian era and its establishment, after the First World War, as a feature of modernity. For some writers between the Wars, worry was the “disease of the age.”

Worrying examines the everyday kind of worry-the fearful, non-pathological, and usually hidden questioning about uncertain futures. It shows worry to be a natural companion in a world where we try to live by reason and believe we have the right to choose, finding in the worrier a peculiarly contemporary sufferer whose mental life is not only exceptionally familiar, but also deeply strange.

Offering an intimately personal account of an all-too-common human experience, and of a word that slips in and out of ordinary conversation so often that it has become invisible in its familiarity, Worrying explores how the modern world has shaped our everyday anxieties.

  • Sales Rank: #1202332 in Books
  • Published on: 2015-05-21
  • Released on: 2015-05-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.74" h x .79" w x 5.80" l, .80 pounds
  • Binding: Hardcover
  • 192 pages

Review

“It is 4.06 am. Francis O'Gorman is in bed. His partner and three cats lie fast asleep beside him. But he is awake, worrying. So begins this subtle, exploratory, completely original book.” ―John Carey, The Sunday Times (Culture Magazine)

"An engagingly personal quest to find out “what [worry] means, both for good and bad” … some of the most striking parts of this book are those in which [O’Gorman] shares some illuminating intuition about worry – that it can be “a species of self-indulgence, a way of extending ego into a conversation, or of somehow confirming selfness in the head”; or that worriers might, deep down, think too highly of themselves, believe that they are “too good to err and certainly too good to admit errors or apologize for them”. - Times Literary Supplement

“The best parts of this book, as you would hope from a literary critic, are the textual readings. O'Gorman doesn't just provide illuminating discussions of worry literature ... He also reads worry per se as a literary trope, a "comedy of mental manners" in which its victims are like stage characters trapped in their humours, always enacting the same scenes and parroting the same catchphrases. He is often dryly funny himself ... While it failed to assuage any of my worries, this winning little book still made me root for and, yes, worry a little for its author. I hope this review stops him fretting for a bit, at least until the next worry arrives.” ―Joe Moran, The Guardian

“Francis O'Gorman offers a witty, philosophical meditation on the meaning of worry, where it comes from and how it came to be our constant companion ... Although the visual arts and music can provide temporary distraction for the worrier, we need words - fragile, unstable words - to express it. Thankfully O'Gorman has given us some more.” ―Liz Hoggard, The Independent

“In his highly anxious but very valuable new book Worrying: A Literary and Cultural History, Francis O'Gorman, Professor of Victorian Literature at the University of Leeds, seeks to pin down worry as an idea and to record the stories we tell ourselves about it; he sets worrying in both its recent and its deeper cultural history, and he also contemplates the various ways writers and artists have dealt with worry as a category of experience. ...Worrying also fits into the tradition of breaking down myths and tropes into discrete units, a bit like Mircea Eliade's Myth and Reality or C. S. Lewis' Studies in Words. We care about these books because we need stories about the cultural past so that we might have a sense of ourselves in time. The real value of O'Gorman's book lies, I think, in the way it flags the politics of the stories we tell ourselves.” ―Josephine Livingstone, New Republic

“[An] affectionate tribute to low-level fretting ... Mr O'Gorman is a pleasant and good-humoured guide ... [His] celebration of the wonderful eccentricity of human nature is both refreshing and necessary.” ―The Economist

"In some enjoyably subversive pages, [O'Gorman] unpicks a few of modernity’s best-loved fairy tales." - The Spectator

“It is worth reading for many reasons, but surely because it treats worrying as a complex issue, that is to say, as a feeling which might have a lot of good stuff to be said about it. Worrying works because it's not all doom and gloom, it avoids self-pity, and manages to have both an intellectual and personal discussion of an emotional issue from various and surprising angles.” ―Charlie Pullen, The Bookbag

“Worrying is not a self-help book. In fact, it frequently pokes holes in that genre. Nor is the book spiritual in any sense. As the book's subtitle suggests, this is a literary and cultural history, as well as a personal one (O'Gorman is a self-confessed worrier). The book is an exercise in worrying about worry.” ―Karen Swallow Prior, Liberty University, Christianity Today

“Keeping us up with his sleepless stresses-did I forget to lock the door downstairs?-Francis O'Gorman comes to think that such anxieties, rather than being just a niggling malfunction, might also represent a constructive aspect of the human condition. What's the use of worrying?” ―Rachel Bowlby, Professor of Comparative Literature, Princeton University, USA, and author of A Child of One's Own: Parental Stories

“An engagingly personal quest to find out ‘what [worry] means, both for good and bad’ … some of the most striking parts of this book are those in which [O’Gorman] shares some illuminating intuition about worry – that it can be ‘a species of self-indulgence, a way of extending ego into a conversation, or of somehow confirming selfness in the head’; or that worriers might, deep down, think too highly of themselves, believe that they are ‘too good to err and certainly too good to admit errors or apologize for them.’” -Catharine Morris, Times Literary Supplement

“If ‘it takes a worried man to sing a worried song,’ then O’Gorman―by his own admission―is the perfect author for this book … Starting by describing his own worries about Worrying, the author moves quickly to a history of the word itself and a discussion of the relationship between the concept of worrying and the actual word … The strengths of this book are two. First, it explores a phenomenon often ignored, perhaps because of its ubiquity. Everyone worries―there’s no cure for it, so why worry about it? Second, it makes a new and unusual connection between works of art … One of O’Gorman’s final claims (in the fourth and last chapter) is that worry is ‘an intimate associate of any act of thought.’ His book supports that claim through both its argument and its very existence. Summing Up: Recommended. Lower- and upper-division undergraduates; graduate students; professionals; general readers. -A. J. Barlow, New York City College of Technology (CUNY), CHOICE

About the Author
Francis O'Gorman is from English, Irish, and Hungarian families and was educated at the University of Oxford as Organ Scholar of Lady Margaret Hall. He has written or edited twenty books, mostly on English literature, and his many essays discuss literature, mental health, music, and the state of the modern university. His most recent piece of creative non-fiction is a memoir, Forgetfulness (2016). He is a Professor in the School of English at the University of Leeds, UK.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Worriers read on- you have much self-understanding to pleasurably gain
By Shalom Freedman
In his introduction to this book Francis O'Gorman describes a number of systematic theoretical approaches to the subject which he refrains from using. Instead he tells us that he is going to grope his way to an understand of a very commonplace and common reality which a great share of humanity lives and suffers with.
As a great worrier myself I appreciate very much the attention he gives, and the insight he has on the subject. Take one thing which has always bothered me. Perhaps it is because I am a traditional religious person. But I am always worried that if I do not worry the thing I do not worry about will happen. O'Gorman explains that this kind of need to worry as a kind of sacrificial payment to prevent the thing worried about from happening is also most commonplace. Worriers worry that if they do not worry they will be punished for not worrying.
Worriers as we all know also waste enormous amounts of time tormenting themselves and others with needless worries. They also often discover problems which others ignore. Worry can also help.
This is a book which I believe will help most readers better understand ourselves.

0 of 0 people found the following review helpful.
You are not alone, worrier!
By Dawnie
This book is perfect for everyone that worries.

It overs the perfect perspective of how people that are constantly worries always find the "but" in any situation, and showcases that no matter where you are and at what time of history you live in, worrying is always there and present.

This book is interesting and fantastically written, offers a nice view and annectoes and stories about worrying and how -in a way- it connects us all no matter who you are and where you are coming from.

If you are someone that worries -and is there really anyone that doesn't?- read this book. And find funny moments, honest moments, and just an interesting view on what worrying is and how you are just a small part of a big history.

*I received my copy for free in exchange for a honest review, thanks to NetGalley and the Publishers!*

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Senin, 13 Oktober 2014

[G960.Ebook] Download PDF BTEC First in Information & Creative Technology: Student Book (BTEC First IT), by Eddie Allman, Alan Jarvis, Allen Kaye, Richard McGill, D

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BTEC First in Information & Creative Technology: Student Book (BTEC First IT), by Eddie Allman, Alan Jarvis, Allen Kaye, Richard McGill, D

Resources designed to support learners of the new next generation BTEC First in Information Technology specification*. * Covers all three mandatory units and a wide selection of optional units. * Each unit of the Student Book is presented in topics to ensure the content is accessible and engaging for learners. * Covers of all the underpinning knowledge and understanding needed at level 2 to ensure that learners are fully prepared for this course. * Activities in each unit provide support and clear direction for learners and can be used in the classroom or for independent work. * New Assessment Zone guides learners through both internal and external assessment. *Practice assignments and assessment guidance help learners to achieve their potential in internally assessed units. * From 2012, Pearson's BTEC First qualifications have been under re-development, so schools and colleges could be teaching the existing 2010 specification or the new next generation 2012-2013 specification. There are different Student Books to support each specification. If learners are unsure, they should check with their teacher or tutor.

  • Sales Rank: #11125882 in Books
  • Published on: 2013-02-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.83" h x .87" w x 8.66" l, .0 pounds
  • Binding: Paperback
  • 480 pages

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Kamis, 09 Oktober 2014

[S840.Ebook] Download PDF Suzuki Violin School, Vol 1: Piano Acc., by Shinichi Suzuki

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Suzuki Violin School, Vol 1: Piano Acc., by Shinichi Suzuki

Piano accompaniment for Suzuki Violin School Volume 1

Titles: Principles of Study and Guidance * Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (T. H. Bayly) * Allegro (Shinichi Suzuki) * Perpetual Motion (Shinichi Suzuki) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Etude (Shinichi Suzuki) * Minuet 1, Minuett III from Suite in G Minor for Klavier, BWV 822 (J. S. Bach) * Minuet 2, Minuet, BWV Anh. II 116 from Notebook for Anna Magdalena Bach (J. S. Bach) * Minuet 3, Minuet BWV Anh. II 114/Anh. III 183 (J. S. Bach) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Gavotte (F. J. Gossec)

This title is available in SmartMusic.

  • Sales Rank: #50974 in Books
  • Brand: Alfred Publishing Company
  • Published on: 2000-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.50" h x 9.00" w x .25" l, .25 pounds
  • Binding: Paperback
  • 28 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

13 of 13 people found the following review helpful.
I got a fever, and the only prescription, is more Twinkle Twinkle!
By JL
I am an Adult learner just starting, and after buying this book at my instructors advice, I am a Twinkle Twinkle little star MASTER!!! I can play it all kinds of ways man, just trust me, it is so freaking awesome! You can keep your Mozart and Beethoven, give me some more of that Twinkle Twinkle stuff! Buy this book, and you'll see what I'm talking about. But for real, this is a very awesome book, but just know you will definitely want an instructor, it's not self explanatory, and you'll need someone to give you the tabs and show you techniques. Absolutely get the version with the audio cd, I can't imagine trying to practice at home without it. Great buy.

12 of 12 people found the following review helpful.
Impossible to use for performance
By Mad Bess
I was SO excited when I saw that the Suzuki books/accompaniments were available for Kindle (I have the Kindle app for iPad). However, I just downloaded this, and the staves are chopped into so many oddly proportioned groups that it's impossible to use for performance. For instance, the first page of Twinkle Variation A only includes the first two staves. In the printed book, all four staves are on one page, so no page turning is required. If I were to play through all the Twinkle variations using the Kindle edition, I would need to turn the page (or swipe the screen) seven times! Way too awkward.

I realize that it's probably chopped up like that to accommodate the smaller Kindle screen. So if you're looking to buy this for reference only, it will work perfectly fine. However, if you want to use it for performance purposes, it won't help you. I gave two stars because it's so awkward to use. :(

If anyone reads this who can re-edit the Kindle edition to fit the staves on the screen just like the printed book, please consider it! I would happily download ALL the series if it was arranged that way!

0 of 0 people found the following review helpful.
Great supplement for home practice, and the CD is great!
By Lisa B.
My 7 year old just started violin lessons for the first time. Her lessons are from a Suzuki teacher, who recommended this book to assist with practicing at home (since there's only one 30-minute lesson per week). The book starts by introducing learners to the parts of the violin and eventually ends with some good, beginner songs. Her teacher said that students can take anywhere from 1-3 years to work through this book, depending on various factors. For $15, it's an excellent supplement to what the teacher offers!

I also appreciate the CD that comes with the book. The teacher mentioned how the Suzuki method is big on training the ear. Violin students need to be able to hear themselves and know if they are playing correctly. That can only come by listening to the songs as they are being played correctly. We listen to this CD many evenings during dinner. It makes for nice background music during dinner time, and my daughter is also learning what the songs are supposed to sound like, which is helping to "train" her ear. I thought it was a bit weird at first to realize there is also a piano playing with the violin in the CD. However, I quickly realized that musicians seldom have solos. They need to know how to play with others, so the piano is helping to train her ear as well.

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Minggu, 05 Oktober 2014

[W582.Ebook] Free Ebook Solosexual: Portrait of a Masturbator, by Jason Armstrong

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In Solosexual: Portrait of a Masturbator, author Jason Armstrong takes you into a world of men for whom masturbation is more than a quick wank to relieve stress or a substitute for so-called “real sex”. For some men, masturbation is the best sex of their lives and they have created a community to celebrate it. In the first book ever to do so, the concept of solosexuality is explored through Jason Armstrong’s personal lens, making this book a memoir, a manifesto and an investigation into living a life in which masturbation is one’s primary sexual outlet.

  • Sales Rank: #563420 in Books
  • Published on: 2016-01-25
  • Original language: English
  • Dimensions: 8.00" h x .32" w x 5.00" l,
  • Binding: Paperback
  • 128 pages

About the Author
Jason Armstrong is the writer of the blog entitled Hunting for Sex: Cautionary Tales from the Quest (voted by Kinkly.com as one of the top 100 sex blogs of 2013). He has been published by DNA Magazine (Australia) and on DailyXtra (Canada), and has an essay included in the anthology Best Sex Writing of the Year Vol. 1 by Cleis Press (US). Jason lives in Toronto, Canada.

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4 of 5 people found the following review helpful.
I loved this book
By Patrick Evans
I loved this book. It was an incredibly exciting, liberating reading experience.

For more years than I’d like to admit, masturbation has been a 2-minute maintenance job I performed in the shower before washing my hair. But thanks to this book, I think that's going to change.

Solosexual is an account of one man’s discovery of his love of masturbation above all other forms of sexual activity. Instead of isolating him, his solosexuality leads him to a community of fervent, dedicated masturbators like himself. The sexual descriptions here are no-holds barred, but the book isn’t exhibitionist. It’s just incredibly honest, and very moving in places too. And as with any good treatment of a very specific subject, Solosexual opens up a much greater universal theme. Armstrong is so courageous and candid in his accounts of his own masturbatory experiences that you can’t help but relate to him and think of your own sexuality.

The more Armstrong shared his desires in the book the more I was considering my own fantasies and how I could explore them through long, slow sessions of masturbation. He talks a lot about self-love and I realized I was neglecting a huge part of my sexuality by not finding the time and privacy to take pleasure in my own body and desires.

The book makes for an incredibly sexy read for a gay male. But because of that universal theme and the way it puts you in touch with your own desires, I would recommend this book to anyone—gay, straight, male, and female. Solosexual is ultimately about the potential we all hold, which is the ability to love our own bodies.

And it’s also just a great read. Armstrong’s an extremely gifted writer with a great knack for narrative. Solosexual reads a bit like a novel because Armstrong describes everything so vividly, with so much color and great imagery, and a talent for building suspense. He puts you right in the middle of the action. Even if his experiences are like nothing you’ve ever known before, by the end of the book you would swear you’d lived them too.

I started reading Solosexual online and immediately ordered two copies. I wanted one for myself and one to give to a friend. This stuff is too good not to share.

1 of 1 people found the following review helpful.
Armstong's manifesto makes a provocative and staunch defense of solosexualism ...
By Real Writer
Armstong's manifesto makes a provocative and staunch defense of solosexualism, yet the text's repetitions and Armstrong's admissions of obsessive compulsive tendencies, often exhibited while he consumes alcohol, undercut the book's thesis. I applaud Armstrong's openness and bold confessional style; he does yeoman's work here, mapping a terrain of sexual identity few understand and far fewer are ready and willing to accept. Yet I feel it will be some time before solosexualism as an identity finds its true representative. I applaud Armstrong, nevertheless, for pulling back the curtain on a society of men who unapologetically embrace and defend the glories of masturbatory sex, and the fraternal kinship they have found with men across the globe who think and feel as they do.

0 of 0 people found the following review helpful.
An Honest, Awesome and Liberating Sexual Journey
By James Lizamore
I thought this book by Jason was not only very brave, but very honest and for me, very liberating.

I have always had questions and doubts about my own solosexual feelings and practice, and it was awesome to know that other people have the same questions and doubts, but that we are not alone in exploring and coming to terms with our solosexual nature as sexual men. I finished the book into two days, and a few days later started reading it again.

I hope that Jason will write more books on his journey as a solosexual man and help unite other such men, and thereby broaden the conversation around the world on the subject.

Thank you Jason for a honest, sexual and liberating book.

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Senin, 22 September 2014

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  • Sales Rank: #4390681 in Books
  • Published on: 1994
  • Binding: Paperback

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A straightforward guide to the complex world of quantitative finance

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  • Sales Rank: #17114332 in Books
  • Published on: 2014-06-23
  • Original language: English
  • Number of items: 1
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Hardcover
  • 256 pages

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This is a reproduction of a book published before 1923. This book may have occasional imperfections
such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.



++++

The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification:

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The Spy In Black

Joseph Storer Clouston

Doran, 1918


  • Published on: 2012-03-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .66" w x 7.44" l, 1.26 pounds
  • Binding: Paperback
  • 318 pages

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1 of 1 people found the following review helpful.
Better than Cussler
By widowson
I'm afraid I've not given Clouston nearly enough credit! Having read "A Lunatic at Large" and it's sequel first, I was under the mistaken impression that he was first and foremost a writer of comic fiction. In this book, Clouston proves himself more believable than Clive Cussler and MUCH more readable than John LeCarrie.
First published in 1919 and made into a film in 1939, it's a proper page turner with a twist at the end that now seems obvious, but at the time caught me by surprise. As an example of an early spy novel, I'd recommend it to anyone interested in the genre.

0 of 0 people found the following review helpful.
Three Stars
By dallan c hendry
mildly interesting

2 of 4 people found the following review helpful.
Review
By Frances L. Ciliberti
I don't even remember what it was about. Turgid prose. Conrad's command of English is less than impressive. No more words.

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